This chapter is an absolute goldmine for folk-religion authenticity. The *Bang Bing Jue* (帮兵决) is a real class of spirit-summoning verses used by northeastern Chinese spirit mediums (*chuma*). The lines about “sending the spirit over mountains and ridges” and “if you still won’t leave, I’ll slap you” are direct, raw, and unglamorous—just how the old folk traditions really sound. The *tiao dashen* (跳大神) ritual is a full-body performance: the veiled medium acts as a vessel, the drum provides the heartbeat of the ceremony, and the spirit’s presence manifests as physical movements (a muzzle pushing the veil, a tail appearing) rather than just words. The “red veil” itself is a classic prop—it hides the medium’s face, allowing the possessing spirit to “wear” her body without the distraction of her human identity.
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Definition
This chapter is an absolute goldmine for folk-religion authenticity. The *Bang Bing Jue* (帮兵决) is a real class of spirit-summoning verses used by northeastern Chinese spirit mediums (*chuma*). The lines about “sending the spirit over mountains and ridges” and “if you still won’t leave, I’ll slap you” are direct, raw, and unglamorous—just how the old folk traditions really sound. The *tiao dashen* (跳大神) ritual is a full-body performance: the veiled medium acts as a vessel, the drum provides the heartbeat of the ceremony, and the spirit’s presence manifests as physical movements (a muzzle pushing the veil, a tail appearing) rather than just words. The “red veil” itself is a classic prop—it hides the medium’s face, allowing the possessing spirit to “wear” her body without the distraction of her human identity.
Story context
Buckle up, because Chapter 143 delivers one of the most raw, emotionally charged exorcism scenes yet. Bai Lingmiao takes center stage as she performs a *tiao dashen* ritual on a chained, grieving mother, while Li Huowang arrives at the tail end—and does something that cuts straight to the heart of why this novel hurts so good. This isn’t a chapter about banishing a demon. It’s about a woman who broke because she lost her son, and the line between “haunted” and “heartbroken” is the thinnest, cruelest thread. Our boy Li Huowang, carrying two swords now and a whole lot of weariness, delivers a verdict that will make you want to cheer and sob at the same time.
Why it matters
This chapter is a masterclass in using supernatural horror to create *emotional* horror. Notice how there’s no real “exorcism” here—Bai Lingmiao’s *tiao dashen* can detect the shape of the pain, but it can’t fix a broken heart. Li Huowang’s intervention isn’t about a new spell or a power-up; it’s about him recognizing a kindred spirit in that screaming, chained woman. He’s been that person—losing control, hurting people, being locked up. His outburst about windows and loneliness is more than empathy; it’s a mirror. This is the kind of storytelling that makes *Dao Gui Yi Xian* unforgettable: the monster is grief, and the exorcism is an act of unspeakable kindness.
Quick facts
Source novel
Dao Gui Yi Xian
First appearance
The Spirit Mother’s Chains
Chapter references
1
Type hints
Dao Gui Yi Xian, tiao dashen, chuma spirit medium
Guide tags
folk horror, exorcism scene, character moment
Appears in chapters
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